I really like embedded stories. Really do. And this past week I discovered a new wrinkle on them that is really paying dividends: I am extending the stories not so much by moving to new locations, but by introducing parallel actions with different characters, like they do in the movies (focus on one character, cut to another parallel character, and then resolve the multiple storylines at the end).
I came to realize this because I am marching through my questionnaires with my German I class and getting to about 2-3 people per day. Even though we are just going off of questionnaires as opposed to story scripts, I am still writing up readings for the day following a “Questionnaire-asking” session. This takes some time (as each class needs a separate story), but it’s been worth it for the buy-in.
Well last week I was on a reading day and just simply did not have time to write up a story. Best intentions in the world, but it didn’t happen. But as I was getting ready for school I remembered embedded readings and realized that I was going to be okay. I started out the class by doing a Diktat–four sentences total with two sentences covering what what one person didn’t like and another two sentences covering another person’s dislikes. After we processed those, I went ahead and said “Give me some more details.” I had the core story up on the LCD screen in black from the Diktat and then changed the font color and added another sentence or two of additional details to each of my original sentences.
Then we did a third pass (in yet another color) and started extending the story: One person didn’t like a car driving behind him and had a bear sitting on his handlebars, but suddenly another student driving the car was on the phone with Justin Bieber. That got instant energy, but I made them delay that by moving onto the next person who hated people biting their fingernails, especially when the fingernails became the toppings used on chocolate ice cream at Dairy Queen.
Then we bounced back to the bike/car story for a fourth pass (in still another color) and added more details, which included having the person on the bike drive to dairy queen and order some chocolate ice cream etc. etc.
In other words, we did an embedded reading that expanded a core story, but instead of taking one character to different adventures in different places, we developed two characters at the same time who only interacted at a later stage in the story. While we were writing it up it felt like we were in a movie, swinging from back from one set of characters (Merry and Pippen fighting the orcs) to another (Frodo and Sam going up mount doom). I only realized after the fact that movies sustain interest all the time by doing exactly this. It was easy getting extra repetitions in that came from re-reading each developing mini-story over and over again because they had a cinematic quality to them (albeit with the same target structures).
My takewaway from this is that I now not only have a quick way to write a story if needed but that I can get more mileage out of the small “vignette” style stories that tend to crop up so frequently by simply cinematizing them.